NESARA Research; Why Our Media Lies & is CIA Controlled

December 1, 2002  1:33 p.m. PST

Hello Dear Friends and White Knights,

Currently, I’m doing some in-depth research regarding the current status of

the true NESARA law announcement.  I’m looking into what the “current

criteria” are for announcing the true NESARA law and where the White

Knights and allies are in accomplishing these criteria.  I’ll let you know

what I find out.

One of the reasons we are still waiting for the true NESARA law

announcement is that Americans are believing the lies of the Bush regime

carried in the media.  Every day I hear of things people need that the true

NESARA law will provide.  One of the ways we can help get NESARA announced

is by understanding that mainstream media carries lies that help those

opposing NESARA to keep our true NESARA benefits from us.  By learning and

sharing the truth about our corrupt government officials and media, we

reduce the power these groups have over our people and world.

The article I included in yesterday’s Dove Report mentioned the ROLE OF the

U.S. MEDIA in hoaxing Americans into going along with the government’s lies

about needing to attack another country.  To SEE the PHOTOS mentioned in

yesterday’s article, click on the url:

http://www.whatreallyhappened.com/ARTICLE5/index.html

Here are several quotes from yesterday’s Dove Report to remind you how the

MEDIA has knowingly and purposely participated in the lies Americans are

fed by federal government officials:

1) “In 1898, Joseph Pulitzer's New York World and William Randolph Hearst's

New York Journal were arguing for American intervention in Cuba. Hearst is

reported to have dispatched a photographer to Cuba to photograph the coming

war with Spain. When the photographer asked just what war that might be,

Hearst is reported to have replied, "You take the photographs, and I will

provide the war". Hearst was true to his word, as his newspaper published

stories of great atrocities being committed against the Cuban people, most

of which turned out to be complete fabrications.”

2) “President George Bush [the Senior Bush] wanted a war in Iraq. Like

Crassus, George Bush is motivated by money. Specifically oil money. But

with the OPEC alliance failing to keep limits on oil production in the

Mideast, the market was being glutted with oil pumped from underneath Iraq,

which sat over roughly 1/3 of the oil reserves of the entire region.

George wanted a war to stop that flow of oil, to keep prices (and profits)

from falling any further than they already had. But like Roosevelt, he

needed the "other side" to make the first move.

 Iraq had long been trying to acquire greater access to the Persian Gulf,

and felt limited confined a narrow strip of land along Kuwait's northern

border, which placed Iraqi interests in close proximity with hostile Iran.

George Bush, who had been covertly arming Iraq during its war with Iran,

sent word via April Glaspie that the United States would not intervene if

Saddam Hussein grabbed a larger part of Kuwait. Saddam fell for the bait

and invaded.

Of course, Americans were not about to send their sons and daughters to

risk their lives for petroleum products. So George Bush arranged a hoax,

using public relations firm Hill & Knowlton, which has grown rich on

taxpayer money by being most industrious and creative liars!  Hill &

Knowlton concocted a monumental fraud in which the daughter of the Kuwaiti

Ambassador to the United States, went on TV pretending to be a nurse, and

related a horror story in which Iraqi troops looted the incubators from a

Kuwaiti hospital, leaving the premature babies on the cold floor to die.

The media, part of the swindle from the start, never bothered asking why

the "nurse" didn't just pick the babies up and wrap them in blankets or

something.

Enraged by the incubator story, Americans supported operation Desert Storm,

which never removed Saddam Hussein from power but which did take Kuwait's

oil off of the market for almost 2 years and limited Iraq's oil exports to

this very day. That our sons and daughters came home with serious and

lingering medical illnesses was apparently not too great a price to pay for

increased oil profits.”

3) “Following the victory in Iraq, yet another war appeared to be in the

offering in the mineral rich regions of Bosnia. Yet again, a hoax was used

to create support for military action.

 The above photo of Fikret Alic, a Muslim, staring through a barbed wire

fence, was used to "prove" that the Bosnians were running modern day

"Concentration Camps". As the headline of "Belsen 92" indicates, all

possible associations with the Nazi horrors were made to sell the necessity

of sending yet more American troops into someone else's nation.

But when German Journalists went to Trnopolje, the site of the supposed

Bosnian Concentration Camp. to film a documentary, they discovered that the

photo was a fake! The camp at Trnopolje was not a concentration camp but a

refugee center. Nor was it surrounded by barbed wire. Careful examination

of the original photo revealed that the photographer had shot the photo

through a broken section of fence surrounding a tool shed. It was the

photographer who was on the inside, shooting out at the refugees.

Once again, Americans had been hoaxed into support of actions they might

otherwise not have agreed with.”

Does anyone remember the terrible gas lines we had to endure during Bush

Senior’s war on Iraq?  Does anyone remember that Bush Senior’s

representative, April Glaspie, was PROVEN to have told Saddam that Saddam

could march on Kuwait and the U.S. would not do anything?  Of course the

little detail of Bush’s complicity in Iraq attacking Kuwait was quickly

forgotten as Bush Senior put his “real plan” of trying to gain control of

the Middle East into action. 

Why are “producing” oil wells in the Southwest U.S. being “capped” at great

rates?  Why did an earthquake in Alaska manage to occur in a place where

the ONLY damage was to the Alaskan oil pipeline?  The word from oil men in

Texas is that the Bush gang are planning to push our country into another

period of manufactured “oil shortage”, high oil and gas prices, and high

oil industry profits if they can get their attacks on Iraq going. 

The media keeps claiming that our nation’s economic problems are due to

9/11; this is a media exaggeration to help stoke the fires of war.  Let’s

remember that from the time Bush Jr. began sitting in the oval office, our

U.S. economy took a downward spiral.  Now, the Bush gang are once again

planning to wreck our country’s economy with a “manufactured” oil shortage,

long lines at the gas pumps, and high gas and oil prices and profits for

the Bush gang who make much of their money from the oil industry. 

WHY are so many Americans unable to SEE the truth of what is happening in

our world?  The Bush gang and their dark agenda cohorts have worked very

hard to make sure they control the media.  Most Americans believe what is

reported by the mainstream media, however, the MEDIA are IN ON the hoaxes

perpetrated on Americans by corrupt government officials.

WHY would media executives knowingly HELP to hoax Americans?  One reason is

that “bad news sells” and people buy more newspapers and watch and listen

to “news” programs more when some kind of crisis is being reported.  When

“war” is on the news, CNN and other news channels INCREASE the PRICES they

charge for commercials because they have more viewers sometimes they

DOUBLE the cost to run a commercial on their network.  I know this because

while doing a database and research project for Cox Cable, I analyzed the

rates CNN and other news networks charged for commercials over several

years time, including during periods of “war news”.  Since nearly all

executives of corporations have BONUS payments they receive for making

decisions which enable their corporations to maximize profits, these

executives have PERSONAL reasons to help the government lie to Americans.

These media executives get bigger personal BONUS payments when their

corporations make bigger profits;  “war” and bad news are big sellers for

media corporations.

There’s another reason too.  The U.S. CIA has been engaged in actively

recruiting American media officials and reporters as “agents” of the CIA

and willing helpers in twisting the news to serve the government.  Below is

documentation of the PROOF that the CIA has spent years controlling the

U.S. media.  The FACTS below came from the U.S. government’s own documents

which were accessed by “Freedom of Information” research on the CIA’s

operation “Mockingbird” of controlling the U.S. media.  Even though the CIA

claims that operation “Mockingbird” ended, in fact, there is an ongoing CIA

media control operation continuing under a new code name and more

sophisticated activities.

Why do I report these kinds of things?  Because the TRUTH truly does SET us

FREE!  Only by knowing the truth about what is happening can WE CHOOSE a

better path than what our corrupt governments’ officials have in mind. 

Blessings and Love,

Dove of Oneness

The Dove Report currently has 10,125 subscribers and is read by over

200,000 people worldwide in forums on other websites and published in

magazines and journals nationally and internationally.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

http://www.whatreallyhappened.com/RANCHO/POLITICS/MOCK/mockingbird.html

The Subversion Of The Free Press By The CIA

"You could get a journalist cheaper than a good call girl, for a couple

hundred dollars a month." CIA operative discussing with Philip Graham,

editor Washington Post, on the availability and prices of journalists

willing to peddle CIA propaganda and cover stories. "Katherine The Great,"

by Deborah Davis (New York: Sheridan Square Press, 1991)

As terrible as it is to live in a nation where the press in known to be

controlled by the government, at least one has the advantage of knowing the

bias is present, and to adjust for it. In the United States of America, we

are taught from birth that our press is free from such government meddling.

This is an insideous lie about the very nature of the news institution in

this country. One that allows the government to lie to us while denying the

very fact of the lie itself.

Tales from the Crypt  

The Depraved Spies and Moguls of the CIA's Operation MOCKINGBIRD

by Alex Constantine

Who Controls the Media?

Soulless corporations do, of course. Corporations with grinning,

double-breasted executives, interlocking directorates, labor squabbles and

flying capital. Dow. General Electric. Coca-Cola. Disney. Newspapers should

have mastheads that mirror the world: The Westinghouse Evening Scimitar,

The Atlantic-Richfield Intelligentser. It is beginning to dawn on a growing

number of armchair ombudsmen that the public print reports news from a

parallel universe - one that has never heard of politically-motivated

assassinations, CIA-Mafia banking thefts, mind control, death squads or

even federal agencies with secret budgets fattened by cocaine sales - a

place overrun by lone gunmen, where the CIA and Mafia are usually on their

best behavior. In this idyllic land, the most serious infraction an

official can commit is the employment of a domestic servant with (shudder)

no residency status.

This unlikely land of enchantment is the creation of MOCKINGBIRD.

It was conceived in the late 1940s, the most frigid period of the cold war,

when the CIA began a systematic infiltration of the corporate media, a

process that often included direct takeover of major news outlets.

In this period, the American intelligence services competed with communist

activists abroad to influence European labor unions. With or without the

cooperation of local governments, Frank Wisner, an undercover State

Department official assigned to the Foreign Service, rounded up students

abroad to enter the cold war underground of covert operations on behalf of

his Office of Policy Coordination.  Philip Graham, a graduate of the Army

Intelligence School in Harrisburg, PA, then publisher of the Washington

Post, was taken under Wisner's wing to direct the program code-named

Operation

MOCKINGBIRD.

"By the early 1950s," writes former Village Voice reporter Deborah Davis in

Katharine the Great, "Wisner 'owned' respected members of the New York

Times, Newsweek, CBS and other communications vehicles, plus stringers,

four to six hundred in all, according to a former CIA analyst."  The

network was overseen by Allen Dulles, a templar for German and American

corporations who wanted their points of view represented in the public

print. Early MOCKINGBIRD influenced 25 newspapers and wire agencies

consenting to act as organs of CIA propaganda.  Many of these were already

run by men with reactionary views, among them William Paley (CBS), C.D.

Jackson (Fortune), Henry Luce (Time) and Arthur Hays Sulzberger (N.Y.

Times).

Activists curious about the workings of MOCKINGBIRD have since been

appalled to find in FOIA (Freedom of Information Act) documents that agents

boasting in CIA office memos of their pride in having placed "important

assets" inside every major news publication in the country. It was not

until 1982 that the Agency openly admitted that reporters on the CIA

payroll have acted as case officers to agents in the field.

"World War III has begun," Henry's Luce's Life declared in March, 1947.

"It is in the opening skirmish stage already." The issue featured an

excerpt of a book by James Burnham, who called for the creation of an

"American Empire," "world-dominating in political power, set up at least in

part through coercion (probably including war, but certainly the threat of

war) and in which one group of people ... would hold more than its equal

share of power."

George Seldes, the famed anti-fascist media critic, drew down on Luce in

1947, explaining that "although avoiding typical Hitlerian phrases, the

same doctrine of a superior people taking over the world and ruling it,

began to appear in the press, whereas the organs of Wall Street were much

more honest in favoring a doctrine inevitably leading to war if it brought

greater commercial markets under the American flag."

On the domestic front, an abiding relationship was struck between the CIA

and William Paley, a wartime colonel and the founder of CBS.  A firm

believer in "all forms of propaganda" to foster loyalty to the Pentagon,

Paley hired CIA agents to work undercover at the behest of his close

friend, the busy grey eminence of the nation's media, Allen Dulles. Paley's

designated go-between in his dealings with the CIA was Sig Mickelson,

president of CBS News from 1954 to 1961.

The CIA's assimilation of old guard fascists was overseen by the Operations

Coordination Board, directed by C.D. Jackson, formerly an executive of Time

magazine and Eisenhower's Special Assistant for Cold War Strategy. In 1954

he was succeeded by Nelson Rockefeller, who quit a year later, disgusted at

the administration's political infighting. Vice President Nixon succeeded

Rockefeller as the key cold war strategist.

"Nixon," writes John Loftus, a former attorney for the Justice Department's

Office of Special Investigations, took "a small boy's delight in the arcane

tools of the intelligence craft - the hidden microphones, the 'black'

propaganda." Nixon especially enjoyed his visit to a Virginia training camp

to observe Nazis in the "special forces" drilling at covert operations.

One of the fugitives recruited by the American intelligence underground was

heroin smuggler Hubert von Blücher, the son of a German ambassador. Hubert

often bragged that that he was trained by the Abwehr, the German military

intelligence division, while still a civilian in his twenties. He served in

a recon unit of the German Army until forced out for medical reasons in

1944, according to his wartime records. He worked briefly as an assistant

director for Berlin-Film on a movie entitled One Day ..., and finished out

the war flying with the Luftwaffe, but not to engage the enemy - his

mission was the smuggling of Nazi loot out of the country. His exploits

were, in part, the subject of Sayer and Botting's Nazi Gold, an account of

the knockover of the Reichsbank at the end of the war.

In 1948 he flew the coop to Argentina. Posing as a photographer named

Huberto von Bleucher Corell, he immediately paid court to Eva Peron,

presenting her with an invaluable Gobelin tapestry (a selection from the

wealth of artifacts confiscated by the SS from Europe's Jews?). Hubert then

met with Martin Bormann at the Hotel Plaza to deliver German marks worth

$80 million. The loot financed the birth of the National Socialist Party in

Argentina, among other forms of Nazi revival.

In 1951, Hubert migrated northward and took a job at the Color Corporation

of America in Hollywood. He eked out a living writing scripts for the

booming movie industry. His voice can be heard on a film set in the Amazon,

produced by Walt Disney.

Nine years later he returned to Buenos Aires, then Düsseldorf, West

Germany, and established a firm that developed not movie scripts, but

anti-chemical warfare agents for the government. At the Industrie Club in

Düsseldorf in 1982, von Blücher boasted to journalists, "I am chief

shareholder of Pan American Airways. I am the best friend of Howard Hughes.

The Beach Hotel in Las Vegas is 45 percent financed by me. I am thus the

biggest financier ever to appear in the Arabian Nights tales dreamed up by

these people over their second bottle of brandy."

Not really. Two of the biggest financiers to stumble from the drunken

dreams of world-moving affluence were, in their time, Moses Annenberg,

publisher of The Philadelphia Inquirer, and his son Walter, the

CIA/mob-anchored publisher of the TV Guide. Like most American

high-rollers, Annenberg lived a double life. Moses, his father, was a scion

of the Capone mob. Both Moses and Walter were indicted in 1939 for tax

evasions totalling many millions of dollars - the biggest case in the

history of the Justice Department. Moses pled guilty and agreed to pay the

government $8 million and settle $9

million in assorted tax claims, penalties and interest debts.  Moses

received a three-year sentence. He died in Lewisburg Penitentiary.

Walter Annenbeg, the TV Guide magnate, was a lofty Republican. On the

campaign trail in April, 1988, George Bush flew into Los Angeles to woo

Reagan's kitchen cabinet. "This is the topping on the cake," Bush's

regional campaign director told the Los Angeles Times. The Bush team met at

Annenberg's plush Rancho Mirage estate at Sunnylands, California. It was at

the Annenberg mansion that Nixon's cabinet was chosen, and the state's

social and contributor registers built over a quarter-century of state

political dominance by Ronald Reagan, whose acting career was launched by

Operation MOCKINGBIRD.

The commercialization of television, coinciding with Reagan's recruitment

by the Crusade for Freedom, a CIA front, presented the intelligence world

with unprecedented potential for sowing propaganda and even prying in the

age of Big Brother. George Orwell glimpsed the possibilities when he

installed omniscient video surveillance technology in 1948, a novel

rechristened 1984 for the first edition published in the U.S. by Harcourt,

Brace. Operation Octopus, according to federal files, was in full swing by

1948, a surveillance program that turned any television set with tubes into

a broadcast

transmitter. Agents of Octopus could pick up audio and visual images with

the equipment as far as 25 miles away.

Hale Boggs was investigating Operation Octopus at the time of his

disappearance in the midst of the Watergate probe.

In 1952, at MCA, Actors' Guild president Ronald Reagan - a screen idol

recruited by MOCKINGBIRD's Crusade for Freedom to raise funds for the

resettlement of Nazis in the U.S., according to Loftus - signed a secret

waiver of the conflict-of-interest rule with the mob-controlled studio, in

effect granting it a labor monopoly on early television programming. In

exchange, MCA made Reagan a part owner.  Furthermore, historian C. Vann

Woodward, writing in the New York Times, in 1987, reported that Reagan had

"fed the names of suspect people in his organization to the FBI secretly

and regularly enough to be assigned 'an informer's code number, T-10.'  His

FBI file indicates intense collaboration with producers to 'purge' the

industry of subversives."

No one ever turned a suspicious eye on Walter Cronkite, a former

intelligence officer and in the immediate postwar period UPI's Moscow

correspondent. Cronkite was lured to CBS by Operation MOCKINGBIRD's Phil

Graham, according to Deborah Davis.

Another television conglomerate, Cap Cities, rose like a horror-film simian

from CIA and Mafia heroin operations. Among other organized-crime

Republicans, Thomas Dewey and his neighbor Lowell Thomas threw in to launch

the infamous Resorts International, the corporate front for Lansky's branch

of the federally-sponsored mob family and the corporate precursor to Cap

Cities. Another of the investors was James Crosby, a Cap Cities executive

who donated $100,000 to Nixon's 1968 presidential campaign. This was the

year that Resorts bought into Atlantic City casino interests. Police in New

Jersey attempted, with no success, to spike the issuance of a gambling

license to the company, citing Mafia ties.

In 1954, this same circle of investors, all Catholics, founded the

broadcasting company notorious for overt propagandizing and general

spookiness. The company's chief counsel was OSS veteran William Casey, who

clung to his shares by concealing them in a blind trust even after he was

appointed CIA director by Ronald Reagan in 1981.

"Black radio" was the phrase CIA critic David Wise coined in The Invisible

Government to describe the agency's intertwining interests in the emergence

of the transistor radio with the entrepreneurs who took to the airwaves.

"Daily, East and West beam hundreds of propaganda broadcasts at each other

in an unrelenting babble of competition for the minds of their listeners.

The low-price transistor has given the hidden war a new importance,"

enthused one foreign correspondent.

A Hydra of private foundations sprang up to finance the propaganda push.

One of them, Operations and Policy Research, Inc. (OPR), received hundreds

of thousands of dollars from the CIA through private foundations and

trusts. OPR research was the basis of a television series that aired in New

York and Washington, D.C. in 1964, Of People and Politics, a "study" of the

American political system in 21 weekly installments.

In Hollywood, the visual cortex of The Beast, the same CIA/Mafia

combination that formed Cap Cities sank its claws into the film studios and

labor unions. Johnny Rosselli was pulled out of the Army during the war by

a criminal investigation of Chicago mobsters in the film industry.

Rosselli, a CIA asset probably assassinated by the CIA, played sidekick to

Harry Cohn, the Columbia Pictures mogul who visited Italy's Benito

Mussolini in 1933, and upon his return to Hollywood remodeled his office

after the dictator's. The only honest job Rosselli ever had was assistant

purchasing agent (and a secret investor) at Eagle Lion productions, run by

Bryan Foy, a former producer for 20th Century Fox.  Rosselli, Capone's

representative on the West Coast, passed a small fortune in mafia

investments to Cohn. Bugsy Seigel pooled gambling investments with Billy

Wilkerson, publisher of the Hollywood Reporter.

In the 1950s, outlays for global propaganda climbed to a full third of the

CIA's covert operations budget.  Some 3, 000 salaried and contract CIA

employees were eventually engaged in propaganda efforts.  The cost of

disinforming the world cost American taxpayers an estimated $265 million a

year by 1978, a budget larger than the combined expenditures of Reuters,

UPI and the AP news syndicates.

In 1977, the Copely News Service admitted that it worked closely with the

intelligence services - in fact, 23 employees were full-time employees of

the Agency.

Most consumers of the corporate media were - and are - unaware of the

effect that the salting of public opinion has on their own beliefs. A

network anchorman in time of national crisis is an instrument of

psychological warfare in the MOCKINGBIRD media. He is a creature from the

national security sector's chamber of horrors. For this reason consumers of

the corporate press have reason to examine their basic beliefs about

government and life in the parallel universe of these United States.

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